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Théophile Alexandre Steinlen (November 10, 1859 – December 13, 1923), was a Swiss-born French Art Nouveau painter and printmaker. He was politically engaged and collaborated with anarchist and socialist press.
A poster of Le Chat Noir may also be seen prominently in the movie Breakfast at Tiffany's hanging on the wall over the staircase. Le Chat Noir is the name of the nightclub where Frank Sinatra and Natalie Wood rekindle their relationship, in the 1958 movie Kings Go Forth. There is also the famous cat painting with blinking eyes on the entrance wall.
The artist-designer Jules Chéret (1835–1932) was a notable early creator of French Art Nouveau posters. He helped turn the advertising poster into an art form. The son a family of artisans, he apprenticed with a lithographer and also studied at the École nationale supérieure des arts décoratifs.
Yerba Buena Center for the Arts (YBCA) is a multi-disciplinary contemporary arts center in San Francisco, California, United States.Located in Yerba Buena Gardens, YBCA features visual art, performance, and film/video that celebrates local, national, and international artists and the Bay Area's diverse communities.
Chanoir became active in the streets of Barcelona at the beginning of Y2K, where he did the documentary Murs Libres.In 2002, he became the founder of Collectif 1980 with other artists such as Jean-Philippe Illanes, Alexandre Sirvin, Hugo Garcia, et Ernest Añaños Montoto.
Berggruen was born June 18, 1943 in San Francisco, California to Heinz Berggruen, a noted German-born art collector and dealer, and Lillian Zellerbach, a scion of the prominent San Francisco family. [2] His maternal grandfather was Isadore Zellerbach (1866-1941), who was the president of Crown Zellerbach Paper Company, and a devoted philanthropist.
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The American Poster Institute (API) is a California nonprofit corporation [1] dedicated to promoting poster art and serving poster artists. [2] Based in San Francisco , the API was formed in 2002 [ 3 ] by a small group of poster artists and supporters.
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