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In 2008, John Hudson, scholar and theatre producer, introduced the idea that Lanier wrote the works of Shakespeare. [2] [5] [6] Hudson found similarities between the works of Shakespeare and Lanier's poetry book Salve Deus Rex Judaeorum. He also noted her educated background and cosmopolitan upbringing as support of the idea.
Shakespeare is thought to have written the following parts of this play: Act I, scenes 1–3; Act II, scene 1; Act III, scene 1; Act V, scene 1, lines 34–173, and scenes 3 and 4. [36] Summary Two close friends, Palamon and Arcite, are divided by their love of the same woman: Duke Theseus' sister-in-law Emelia.
Gertrude Barrows Bennett (September 18, 1884 – February 2, 1948), known by the pseudonym Francis Stevens, was a pioneering American author of fantasy and science fiction. [3] Bennett wrote a number of fantasies between 1917 and 1923 [4] and has been called "the woman who invented dark fantasy". [5]
Shakespeare Was a Woman and Other Heresies is a 2023 nonfiction book by journalist Elizabeth Winkler about the Shakespeare authorship question. The book uses journalism and literary criticism to explore the possibility that the works of Shakespeare were written by someone other than William Shakespeare of Stratford-upon-Avon .
In 2014, the company is performing a version of Othello that suggests the Emilia character is an allegory for Amelia Bassano Lanier, as described in an article in Howlround. [26] In March 2014, Amberley Publishing is releasing a book "Shakespeare's Dark Lady" which argues the case for Lanier's authorship of these plays as Jewish satires.
Oxfordian researchers believe that the play is an early version of Shakespeare's own play, and point to the fact that Shakespeare's version survives in three quite different early texts, Q1 (1603), Q2 (1604) and F (1623), suggesting the possibility that it was revised by the author over a period of many years.
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In August 1819 an anonymous writer for The Monthly Review, or Literary Journal suggested that 'Christopher Marlowe' might be a pseudonym assumed for a time by Shakespeare, [12] and this idea was developed further in the same journal in September 1820, [13] noting how Shakespeare "disappears from all biographical research just at the moment when Marlowe first comes on the stage; and who re ...