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Macro photography (or photomacrography [1] [2] or macrography, [3] and sometimes macrophotography [4]) is extreme close-up photography, usually of very small subjects and living organisms like insects, in which the size of the subject in the photograph is greater than life-size (though macrophotography also refers to the art of making very ...
A close-up or closeup in filmmaking, television production, still photography, and the comic strip medium is a type of shot that tightly frames a person or object. [1] Close-ups are one of the standard shots used regularly with medium and long shots ( cinematic techniques ).
Then the medium close up is a shot that has the waist to the chest and up. The next closest shot is the close up which has the shoulders and up or maybe a little tighter on the head. Finally, there is the extreme close up shot which has one body part usually. This can be an eye, a hand or anything else.
The key grip collaborates closely with the director of photography and relies on the best boy as their chief assistant. key light One of three light sources in a traditional three-point lighting set-up, generally positioned directly in front of the subject being filmed or photographed and supplemented by the back light and fill light. The key ...
Larmes, or Tears; aka Larmes de Verre, in English, Glass Tears, is a black and white photograph created between 1930 and 1932 by the American photographer Man Ray.The image was published in the December 1935 issue of the surrealist art magazine Minotaure, though a similar image of a single eye had appeared in a 1934 book of Ray's photographs. [1]
Extreme close-up A shot framed so closely as to show only a portion of the face or of some object. Extreme long shot A shot in which the human figure would be extremely insignificant compared to its surroundings. A panoramic view photographed from a considerable distance and made up essentially of landscape or distant background. Fade in/out
In extreme close-ups, the top of the head is out of the frame, [1] but the concept of headroom still applies via the rule of thirds. This also changes when one is shooting an extreme wide-shot. The subject can still be placed correctly for rule of thirds, but have a significant amount of space between his/her head and the top from frame.
The photograph is an extreme close-up of a woman's upturned face with glass droplets placed on her cheeks to imitate tears. [s 1] [s 3] The Hague: 3 January 1930 Erich Salomon: The Hague, the Netherlands [s 2] Al Capone Mug Shot: 8 May 1930 Miami Police Department [40] Miami, United States [s 3] See article Behind the Gare Saint-Lazare: 1932 ...