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A sound recording has a separate copyright that is distinct from that of the underlying work (usually a musical work, expressible in musical notation and written lyrics), if any. The sound recording copyright notice extends to a copyright for just the sound itself and will not apply to any other rendition or version, even if performed by the ...
While the DPRA expanded the sound recording’s performance right, performers have still criticized the DPRA’s comparative inequity [5] [6] because composers still have a much wider performance right than performers.
Prior to the Sound Recording Amendment (SRA), [51] which took effect in 1972, copyright in sound recordings was handled at the state level. Federal copyright law preempts most state copyright laws but allows state copyright in sound recordings to continue for one full copyright term after the SRA's effective date, [52] which means 2067.
The proper copyright notice for sound recordings of musical or other audio works is a sound recording copyright symbol (℗, the letter P inside a circle, Unicode U+2117 ℗ SOUND RECORDING COPYRIGHT), which indicates a sound recording copyright, with the letter P indicating a "phonorecord".
A sound recording has two separated copyrights: [3] the sound recording itself, also called the "master" sound recording ; this is most often owned or administered by the record label ; the composition of the musical work, which consists of the underlying lyrics and melody written by the songwriter ; this is most often owned or administered by ...
The Sound Recording Amendment of 1971 extended federal copyright to recordings fixed on or after February 15, 1972, and declared that recordings fixed before that date would remain subject to state or common law copyright. Subsequent amendments had extended this latter provision until 2067. [50]
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