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Plato's allegory of the cave by Jan Saenredam, according to Cornelis van Haarlem, 1604, Albertina, Vienna. Plato's allegory of the cave is an allegory presented by the Greek philosopher Plato in his work Republic (514a–520a, Book VII) to compare "the effect of education (παιδεία) and the lack of it on our nature".
The South Matadero, Buenos Aires (water colour by Emeric Essex Vidal, 1820).The story was set there about 20 years later. The Slaughter Yard (Spanish El matadero, title often imprecisely translated as The Slaughterhouse, is a short story by the Argentine poet and essayist Esteban Echeverría (1805–1851).
Asphor'ulehóa [a] relents and lets the man take the bird, and makes him promise to give him his youngest daughter for wife. The man knows that a teriel is a flesh-eater creature and fear for his daughter's life, but Asphor'ulehóa assures no harm shall be done to her, and tells him that he will come to their house in the shape of a camel.
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They were shown as being mean, growling beasts, and as insatiable man-eaters that could smell the scent of human flesh. Some of the more ferocious ones were shown with flaming red eyes and hair, drinking blood with their cupped hands or from human skulls (similar to representations of vampires in later Western mythology).
The second chapter, entitled "The Classic Man-Eaters", explores the accounts of cannibalism produced by European colonialists and travellers in the Americas during the Early Modern era. It begins by documenting the Spanish interaction with the Carib people of the Lesser Antilles, first begun by Christopher Columbus and his men in the 1490s.
The sculptures were designed to be seen from a triclinium or dining space with couches, presumably inside at least a tent or a "light pavilion", [7] set on a rectangular island in the fish pond running into the grotto, and presumably also by walking round the grotto itself, and possibly bathing in the pool. They would presumably have been ...
Its original title was "The Man-Eaters of Zamboula". The story takes place over the course of a night in the desert city of Zamboula, with political intrigue amidst streets filled with roaming cannibals. This story also introduced a fearsome strangler named Baal-Pteor, who is one of the few humans in the Conan stories to be a physical challenge ...