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Many Islamic designs are built on squares and circles, typically repeated, overlapped and interlaced to form intricate and complex patterns. [1] A recurring motif is the 8-pointed star, often seen in Islamic tilework; it is made of two squares, one rotated 45 degrees with respect to the other.
Islamic and Mujédar stucco decoration followed the main types of ornamentation in Islamic art: geometric, arabesque or vegetal, and calligraphic motifs. [3] [2] Three-dimensional muqarnas was often also carved in stucco, [24] [7] most typically found as transitional elements on vaults, domes, capitals, friezes, and doorways.
Wood-carving examples of the first eleven centuries of CE are rare due to the fact that woods do decay easily in 1,000 years. The carved panels of the main doors of St Sabina on the Aventine Hill , Rome, are very interesting specimens of early Christian relief sculpture in wood, dating, as the dresses show, from the 5th century.
Islamic art is a part of Islamic culture and encompasses the visual arts produced since the 7th century CE by people who lived within territories inhabited or ruled by Muslim populations. [1] Referring to characteristic traditions across a wide range of lands, periods, and genres, Islamic art is a concept used first by Western art historians in ...
A mashrabiya or mashrabiyya (Arabic: مشربية) is an architectural element which is characteristic of traditional architecture in the Islamic world and beyond. [1] [2] It is a type of projecting oriel window enclosed with carved wood latticework located on the upper floors of a building, sometimes enhanced with stained glass.
The Holy Family in olive wood. Beit Sahour, 2000. Olive wood is used because it is easier to carve than other woods and could be done accurately with simple hand tools. Also, it has a diverse variety of natural color and tonal depth, due to the annual structure. It is also resistant to decay and receptive to a number of surfacing treatments. [3]
A Maranao kubing jaw harp handle made from horn and brass with an S-shaped naga design and a fish. The origins of okir are pre-Islamic.They are believed to have originated from the much earlier okil or okil-okil decorative carving traditions of the Sama (Badjao) people, which are often highly individualistic and rectilinear.
The period was marked by a prosperity amongst the upper echelons, manifested in the creation of opulent and finely wrought objects in the decorative arts, including carved rock crystal, lustreware and other ceramics, wood and ivory carving, gold jewelry and other metalware, textiles, books and coinage. These items not only reflected personal ...