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It’s 2024, guitar pedals are bigger than ever, and Bill Finnegan still hasn’t shown any kind of inclination or desire to make anywhere near enough of his legendary Klon pedals to satisfy demand.
Since then, he develops his own pedals, starting with a boost pedal; his most popular effect is a compressor (first built in 2001), selling more than 27,000 copies. [3] According to Guitar World, Keeley Electronics has grown into "one of the world’s top sellers of guitar effects pedals". [4]
The company's most popular series is made up of compact guitar effects pedals, called the Micro series. The design of the pedals revolve around a normal sized knob in the center that controls a main function, and two to three smaller knobs that control other functions. Most of the pedals are made to be similar to other popular pedals.
The Klon Centaur is an overdrive pedal made by the American engineer Bill Finnegan between 1994 and 2008. Finnegan aimed to create a pedal that would recreate the harmonically rich distortion of a guitar amplifier at a high volume. Finnegan struggled to meet demand, and used units sold for inflated prices.
At some point in their guitar pedal journey, nearly every pedal-loving guitarist has read, heard and/or seen the words of Joshua Heath Scott. In addition to having his own line, JHS Pedals, Scott ...
When it comes to music recording hardware, one could argue that Universal Audio has created more powerful products for a wider variety of artists than any other company in the industry. With a ...
A collection of effects pedals, including several distortions: a MXR Distortion + (top row, second from left), and a Pro Co Rat, Arbiter Fuzz Face, and Electro-Harmonix Big Muff (all middle row, from left). Distortion pedals are a type of effects unit designed to add distortion to an audio signal to create a warm, gritty, or fuzzy character.
Since its discontinuance, the HM-2 has become one of the most demanded pedals of the Boss back catalogue. [3] [1] [2] Guitarist and record producer Kurt Ballou has been cited as an influence for the pedal's resurgence [4] and bands such as Nails and Rotten Sound have also appropriated the pedal's sound for different extreme metal styles. [5]
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