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Sindhi embroidered wedding Cholo from Hyderabad. Sindhi embroidered wedding Cholo from Hyderabad. The girls of the various farming, herding and merchant castes of Sindh have a dowry tradition in which the girl to be married will create with the help of her female relatives an embroidered trousseau consisting of costumes for herself, for the bridegroom, hangings for the home, quilts, and even ...
Tunics worn by the Celts were documented by the Greek historian Diodorus Siculus: [T]he way they dress is astonishing: they wear brightly coloured and embroidered shirts, with trousers called braccae and cloaks fastened at the shoulder with a brooch, heavy in winter, light in summer. These cloaks are striped or checkered in design, with the ...
However, the introduction of commercial fabric made this costly, and many indigenous women stopped making this fabric or making simpler versions. By the early 1800s, women began to wear undecorated huipils or European style blouses. By the end of the 19th century, most Maya women had forgotten the technique of brocade weaving entirely. [3]
Gaj, Gajj or Guj are very traditional embroidered tunics of Sindhi women from Sindh, [64] it is a solid embroidery with mirrorwork, pompoms, sequins, cowries, shells, beads and buttons over the woman's shirt it usually covers the area, starting from neck up to the stomach. [65] It incorporates variety of stitches and colors.
In modern usage, a short kurta for women is referred to as the kurti. However, traditionally, the kurti refers to waistcoats, [56] jackets and blouses [57] which sit above the waist without side slits, and are believed to have descended from the tunic of the Shunga period (2nd century B.C.). [58]
Bridal tunics are layered on top of each other; one old combination is as follows. A white nattiyak tunic as the base layer, a red tunic, a black tunic, a yellow tunic, and a blue tunic, topped by a red silk tunic and a green silk tunic, then a heavily embroidered tunic. These last three were probably liḥrīr likbīr. [31]
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