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The basic designs of the sitara and hizam have changed little, although the embroidery in gold and silver wire have become more ornate over time. [24] The Maqam Ibrahim (Station of Abraham) is a small square stone near the Kaaba which, according to Islamic tradition, bears the footprint of Abraham . [ 25 ]
Tunics worn by the Celts were documented by the Greek historian Diodorus Siculus: [T]he way they dress is astonishing: they wear brightly coloured and embroidered shirts, with trousers called braccae and cloaks fastened at the shoulder with a brooch, heavy in winter, light in summer. These cloaks are striped or checkered in design, with the ...
Traditional huipils, especially ceremonial ones, are usually made with fabric woven on a backstrap loom and are decorated with designs woven into the fabric, embroidery, ribbons, lace, and more. However, some huipils are also made from commercial fabric. A huipil can vary in length from a short blouse to a garment long enough to reach the floor ...
The hat is embroidered with intricate geometrical designs with small pieces of mirrors or gemstones sewed into it. [81] [82] Sindhi topi. Talpur Hat/Serai Hat: The Talpur hat also called Serai Topi were unusual hats, usually made in brightly coloured velvets or flamboyant brocades, always with the contrasting panels at centre back and front of ...
Bridal tunics are layered on top of each other; one old combination is as follows. A white nattiyak tunic as the base layer, a red tunic, a black tunic, a yellow tunic, and a blue tunic, topped by a red silk tunic and a green silk tunic, then a heavily embroidered tunic. These last three were probably liḥrīr likbīr. [31]
Shisha embroidery adorns clothing and wall hangings. Embroiderers in Kutch and Kathiawar are particularly renowned for their shisha embroidery. Kutchi embroidery is distinguished by the predominance of the chain stitch in curved or circular designs. In contrast, shisha embroidery in Kathiawar uses long satin stitches in square or triangular ...
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