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A reference to a deity who was worshipped at that mountain peak and, biblically, was the subject of the heresy of Peor. The deity, worshipped by the Moabites, is biblically referred to as Baal-peor (Num. 25:3,5, 18) and as the "house of peor" (בית פעור) (Deuteronomy 3:29), generally meaning the Baal of Peor.
Baal was the first full-length play written by the German modernist playwright Bertolt Brecht. [1] It concerns a wastrel youth who becomes involved in several sexual affairs and at least one murder. It was written in 1918, when Brecht was a 20-year-old student at Munich University , in response to the expressionist drama The Loner ( Der Einsame ...
It is thus unclear whether the false worship of the "Baʿalim" being decried [75] is the worship of a new idol or rites and teachings placing Yahweh as a mere local god within a larger pantheon. The Hebrew Scriptures record the worship of Baʿal threatening Israel from the time of the Judges until the monarchy. [79]
Idolatry with Baal-Peor (1970) by Phillip Medhurst Zimri and Kozbi portrayed as having sex in a regular tent when Phinehas kills them (1700) [note 4] Modern Tabernacle replica in the Timna Valley (2011) Scholars disagree about the exact motive Yahweh is claimed to have had in ordering Moses to wage the War against the Midianites.
The Baal Cycle is an Ugaritic text (c. 1500–1300 BCE) about the Canaanite god Baʿal (𐎁𐎓𐎍 lit. "Owner", "Lord"), a storm god associated with fertility . The Baal Cycle consists of six tablets, itemized as KTU 1.1–1.6.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
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