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Laghu-Prabandha-Saṅgraha is a 13th century Sanskrit-language collection of stories (prabandhas) from India. An anonymous work, it features stories about several Jain authors and royal patrons, mainly from the Chaulukya kingdom of present-day Gujarat .
Sanskrit prosody or Chandas refers to one of the six Vedangas, or limbs of Vedic studies. [1] It is the study of poetic metres and verse in Sanskrit. [1] This field of study was central to the composition of the Vedas, the scriptural canons of Hinduism; in fact, so central that some later Hindu and Buddhist texts refer to the Vedas as Chandas.
Maratht Laghu Katha-Sangrah Marathi Short Stories Various authors 1992 Lachman Hardwani Yuga Jo Antu Yuganta: Marathi Epic Irawati Karve: 1995 Shyam Jaisinghani Chani Chani Marathi Novel C. T. Khanolkar: 1996 Laxman Bhatia ‘Komal’ Pan Chhan Jo Parlao Patjhar Ki Awaz Urdu Short stories Qurratulain Hyder: 1997 Hiro Shewkani Sindhi Adaba Jee ...
Katha (or Kathya) is an Indian style of religious storytelling, performances of which are a ritual event in Hinduism. It often involves priest -narrators ( kathavachak or vyas ) who recite stories from Hindu religious texts , such as the Puranas , the Ramayana or Bhagavata Purana , followed by a commentary ( Pravachan ).
For example, in a word like 'svapnamu', 'sva' is an aksharamu (syllable), but not a Namu (letter) as it has two 'Naas' (sa and va) in it. These 'aksharaas' (syllables) are divided into 'laghuvu' and 'guruvu' based on the time period of pronunciation. These 'aksharaas' or syllables are the fundamental aspects in constructing the 'chandas' in Telugu.
The earliest Sanskrit example of this genre is Trivikramabhatta's Nalacampu (or Damayanticampu, c. 10th century). [205] While many other Sanskrit works also contain a mixture of verse and prose, like Āryaśūra's Jātakamālā, Lienhard notes that these are not true campūs. This is because "in true campū there is a calculated balance between ...
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The Kundika and Laghu-Sannyasa Upanishads discuss when and how someone may renounce, and the answers it gives are different from those found in other Upanishads such as the Jabala Upanishad. [4] The text dedicates most of its verses to the lifestyle of the renouncer, and its broad theme centers around renunciation or spiritual enlightenment. [ 5 ]