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Repetition: elements being copied or mimicked numerous times. Rhythm : is achieved when recurring position, size, color, and use of a graphic element has a focal point interruption. Altering the basic theme achieves unity and helps keep interest.
This is a list of art movements in alphabetical order. These terms, helpful for curricula or anthologies , evolved over time to group artists who are often loosely related. Some of these movements were defined by the members themselves, while other terms emerged decades or centuries after the periods in question.
An art movement is a tendency or style in art with a specific art philosophy or goal, followed by a group of artists during a specific period of time, (usually a few months, years or decades) or, at least, with the heyday of the movement defined within a number of years.
Measured rhythm (additive rhythm) also calculates each time value as a multiple or fraction of a specified time unit but the accents do not recur regularly within the cycle. Free rhythm is where there is neither, [48] such as in Christian chant, which has a basic pulse but a freer rhythm, like the rhythm of prose compared to that of verse. [17]
Without repetition: "when a movement, repeated in the first instance, must, on the Da Capo, be played throughout without repetition." [13] senza sordina or senza sordine (plural) Without the mute. See sordina. serioso Seriously serrez (Fr.) Getting faster sforzando (sf or sfz) Getting louder with a sudden strong accent shake
In general usage, a 'through-composed' work is one based on run-on movements without internal repetitions. (The distinction is especially characteristic of the literature of the art-song, where such works are contrasted with strophic settings.) [3]
In music, form refers to the structure of a musical composition or performance.In his book, Worlds of Music, Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, such as "the arrangement of musical units of rhythm, melody, and/or harmony that show repetition or variation, the arrangement of the instruments (as in the order of ...
He also cautions against taking the mere repetition of a movement to indicate a rhythm. The object of rhythmanalysis is to access the obscure property of the rhythm called ‘presence.’ The sensory events through which the rhythmanalyst perceives the rhythm are called ‘simulacra,’ or simply ‘the present.’ The need for rhythmanalysis ...