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Wachet auf, ruft uns die Stimme ('Awake, calls the voice to us'), [1] BWV 140, also known as Sleepers Awake, is a church cantata by Johann Sebastian Bach, regarded as one of his most mature and popular sacred cantatas. He composed the chorale cantata in Leipzig for the 27th Sunday after Trinity and first performed it on 25 November 1731.
The quoted closing chorale from J. S. Bach's cantata The final stanza, "Gloria sei dir gesungen" (Gloria be sung to you) is again structured in three sections. It opens with an extended "anthem-like" [ 2 ] treatment, followed by a quotation of the complete closing choral chorale from his father's cantata Wachet auf, ruft uns die Stimme , as a ...
Johann Sebastian Bach based his chorale cantata Wachet auf, ruft uns die Stimme, BWV 140, on the hymn [12] and derived one of the Schübler Chorales, BWV 645, from the cantata's central movement. His son Johann Christoph Friedrich Bach wrote a cantata for a four-part choir, Wachet auf, ruft uns die Stimme.
Bach's Nekrolog mentions five cantata cycles: "Fünf Jahrgänge von Kirchenstücken, auf alle Sonn- und Festtage" (Five year-cycles of pieces for the church, for all Sundays and feast days), [1] which would amount to at least 275 cantatas, [2] or over 320 if all cycles would have been ideal cycles. [3]
"Sleepers Awake", English name for the hymn "Wachet auf, ruft uns die Stimme" (1599) by Philipp Nicolai "Sleepers awake", English name for the chorale cantata Wachet auf, ruft uns die Stimme, BWV 140 (1731), by Johann Sebastian Bach, based on Nicolai's hymn; The Sleeper Awakes (1910), dystopian novel by H. G. Wells about a man who sleeps for ...
Der Himmel lacht! Die Erde jubilieret, BWV 31 (Weimar version 21 April 1715; Leipzig version 9 April 1724 and 25 March 1731) [33] Kommt, eilet und laufet, BWV 249 (1 April 1725: first version of the Easter Oratorio, then still a cantata BDW 00317) Gottfried Heinrich Stölzel: [15] Ich war tot und siehe ich bin lebendig, H. 325 [85] [86] [129]
The consulting firm Russell Reynolds, which also tracks CEO changes, said high turnover shows growing risk appetites and "a desire for leaders who can navigate increasing complexity in the macro ...
BWV 80b, a.k.a. the first Leipzig version of the Ein feste Burg ist unser Gott chorale cantata for Reformation Day, is the only version of the cantata of which autograph pages survive: these autograph fragments, which are also the only evidence of this version, ended up in three libraries in two continents, and give a very incomplete picture of ...