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Many blues songs were developed in American folk music traditions and individual songwriters are sometimes unidentified. [1] Blues historian Gerard Herzhaft noted: In the case of very old blues songs, there is the constant recourse to oral tradition that conveyed the tune and even the song itself while at the same time evolving for several decades.
Blues is a music genre [3] and musical form that originated amongst African-Americans in the Deep South of the United States around the 1860s. [2] Blues has incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture.
Pages in category "Blues instruments" The following 12 pages are in this category, out of 12 total. This list may not reflect recent changes. A. Archtop guitar; B.
When artists migrated to the industrial centers from the Mississippi delta and rural south, they found a way to do so, but African-American music later mostly abandoned the instrument. [4] Many blues guitar greats, such as Lonnie Johnson and Big Bill Broonzy, made early recordings on the violin. They are among the most-represented artists in ...
His "The Things That I Used to Do", which combined gospel, blues and R&B, was a major R&B hit in 1954 and may have influenced the development of later soul music. [2] It also influenced the development of rock music , having been included in The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll , [ 5 ] featuring an electric ...
Although Delta blues certainly existed in some form or another at the turn of the twentieth century, it was first recorded in the late 1920s, when record companies realized the potential African-American market for "race records". The major labels produced the earliest recordings, consisting mostly of one person singing and playing an instrument.
Moses Williams playing the diddley bow, 1982. The diddley bow is a single-stringed American instrument which influenced the development of the blues sound. It consists of a single string of baling wire tensioned between two nails on a board over a glass bottle, which is used both as a bridge and as a means to magnify the instrument's sound.
Vaudevillean Mamie Smith records "Crazy Blues" for Okeh Records, the first blues song commercially recorded by an African-American singer, [1] [2] [3] the first blues song recorded at all by an African-American woman, [4] and the first vocal blues recording of any kind, [5] a few months after making the first documented recording by an African-American female singer, [6] "You Can't Keep a Good ...