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Pages in category "Philippine handicrafts" The following 28 pages are in this category, out of 28 total. This list may not reflect recent changes. A.
Piña (Tagalog pronunciation: pi-NYAH) is a traditional Philippine fiber made from the leaves of the pineapple plant. Pineapples are indigenous to South America but have been widely cultivated in the Philippines since the 17th century, and used for weaving lustrous lace-like luxury textiles known as nipis fabric.
Common and traditional subjects of taka include the manok, kabayo, kalabaw, dalaga (chicken, horse, carabao, maiden) which is made primarily for local use. Due to exposure and migration of Paete residents to Manila and abroad, European-influenced papier-mâché toys began to be made for export to other countries, such as Germany.
The industry expanded into Baliuag, Bulacan, between 1907 and 1909, originally introduced by Mariano Deveza who originally hailed from Lucban, Quezon. Introducing buntal hat weaving to Baliuag was easy since the town already had a preexisting weaving industry producing textiles, pañuelos (kerchiefs), tapis , as well as woven hats made from ...
Banig in the Philippines sold with various other traditional handicrafts Women weaving banigs at Saob Cave in Basey, Samar. A baníg (pronounced buh-NIG) is a traditional handwoven mat of the Philippines predominantly used as a sleeping mat or a floor mat.
Philippine dance is influenced by the country's folk performing arts and its Hispanic traditions; a number of styles also have global influences. Igorot dances such as banga, [ 94 ] Moro dances such as pangalay and singkil , [ 95 ] Lumad dances such as kuntaw, kadal taho and lawin-lawin, and Hispanic dances such as maglalatik and subli have ...
According to the Philippine Fiber Industry Development Authority, the Philippines provided 87.4% of the world's abacá in 2014, earning the Philippines US$111.33 million. [30] The demand is still greater than the supply. [30] The remainder came from Ecuador (12.5%) and Costa Rica (0.1%). [30]
A jar from the Philippines housed at the Honolulu Museum of Art, dated from 100–1400 CE. In Kalinga, ceramic vessels can be used for two situations: daily life use and ceremonial use. Daily life uses include the making of rice from the pots and the transfer of water from nearby water bodies to their homes.
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