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Visually, the tanpura resembles a simplified sitar or similar lute-like instrument, and is likewise crafted out of a gourd or pumpkin. The tanpura does not play a melody , but rather creates a meditative ambience, supporting and sustaining the performance of another musician or vocalist, as well as for musicians accompanying a dance performance.
The modern seven string sitar was created by Allauddin Khan. [19] Sympathetic strings on sitar were first added by Ustad Imdad Khan. [20] The earliest compositional style specifically for the sitar emerged in the mid-eighteenth century, attributed to Firoz Khan, who was either the son or nephew of Khusrau Khan. [21]
The javari of a sitar will be made according to the wishes of the player, either 'open',('khula') with a bright sounding javari-effect, or 'closed' ('band') with a relatively more plain tone, or something in between ('ghol'). The choice depends on the preference of the sitar-player and on the adapted playing style.
As with movable do solfege, the notes are heard relative to an arbitrary tonic that varies from performance to performance, rather than to fixed frequencies, as on a xylophone. The fine intonational differences between different instances of the same swara are called srutis. The three primary registers of Indian classical music are mandra ...
[3] Alternatively, the shahrud may have given its name to the sarod. [4] The Persian word šāh-rūd is made up of šāh (shah or king) and rūd (string). [5] Many scholars of Indian classical music believe that the sarod is a combination of the ancient chitravina, the medieval Indian rabab and modern sursingar. [citation needed]
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[3] The Punjabi tanburag is a long-neck lute with a big bowl, and has three metal strings, called tanburag [tanboorag] or dhambura, but also called damburo, or kamach(i). [3] The Indian Tanpura (tanpura, tamboura or taanpura or tanipurani) is found in different forms and in many places even as electronic tanpura.
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