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Visually, the tanpura resembles a simplified sitar or similar lute-like instrument, and is likewise crafted out of a gourd or pumpkin. The tanpura does not play a melody , but rather creates a meditative ambience, supporting and sustaining the performance of another musician or vocalist, as well as for musicians accompanying a dance performance.
The modern seven string sitar was created by Allauddin Khan. [19] Sympathetic strings on sitar were first added by Ustad Imdad Khan. [20] The earliest compositional style specifically for the sitar emerged in the mid-eighteenth century, attributed to Firoz Khan, who was either the son or nephew of Khusrau Khan. [21]
[3] The Punjabi tanburag is a long-neck lute with a big bowl, and has three metal strings, called tanburag [tanboorag] or dhambura, but also called damburo, or kamach(i). [3] The Indian Tanpura (tanpura, tamboura or taanpura or tanipurani) is found in different forms and in many places even as electronic tanpura.
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The javari of a sitar will be made according to the wishes of the player, either 'open',('khula') with a bright sounding javari-effect, or 'closed' ('band') with a relatively more plain tone, or something in between ('ghol'). The choice depends on the preference of the sitar-player and on the adapted playing style.
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[3] Alternatively, the shahrud may have given its name to the sarod. [4] The Persian word šāh-rūd is made up of šāh (shah or king) and rūd (string). [5] Many scholars of Indian classical music believe that the sarod is a combination of the ancient chitravina, the medieval Indian rabab and modern sursingar. [citation needed]