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Samuel Adelstein described the Lombard mandolin in 1893 as wider and shorter than the Neapolitan mandolin, with a shallower back and a shorter and wider neck, with six single strings to the regular mandolin's set of 4. [35] The Lombard was tuned C–D–A–E–B–G. [35] The strings were fastened to the bridge like a guitar's. [35]
The mandolin-banjo is a hybrid instrument, combining a banjo body with the neck and tuning of a mandolin. It is a soprano banjo. [ 1 ] It has been independently invented in more than one country, variously being called mandolin-banjo, banjo-mandolin, banjolin and banjourine in English-speaking countries, [ 2 ] banjoline and bandoline in France ...
The standard cümbüş is fretless, but guitar, mandolin and ukulele versions have fretboards. The neck is adjustable, allowing the musician to change the angle of the neck to its strings by turning a screw. [3] One model is made with a wooden resonator bowl, with the effect of a less tinny, softer sound. [4]
Three musical instruments with scalloped necks, guitar, mandolin, and a possible hybrid of the two. [111] The French ruled Vietnam completely by 1884 and set up a system of modern education. The population was exposed to French culture and music, which included the mandolin. The influence of French culture was strong enough to affect Vietnamese ...
The "foot" is on the bottom of the neck, and affords a large gluing surface to the back of the instrument. With neck-through, making the neck part of the body. This method is used on some solid-body electric guitars, where the piece of wood that is the neck runs the entire length of the instrument and is laminated to the rest of the body. This ...
That variant is known today as the Milanese or Lombardic mandolin, and retains the mandore's tuning. The Italians also called it the mandora or mandola. The latter name is still used in the mandolin family for an alto or tenor range instrument. From the mandola, the baroque mandolino was created, which in turn became the modern mandolin. [8] [6 ...
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