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Pieces of silk fabric would be wadded up to form a ball, and then the wad would be wrapped with strips of fabric. As time passed, traditional temari became an art, with the functional stitching becoming more decorative and detailed, until the balls displayed intricate embroidery. With the introduction of rubber to Japan, the balls went from ...
A pomegranate (Chinese: 石榴; pinyin: shíliǔ) is an auspicious pattern which represents the "abundance in all things" (especially, sons). [9] It can also symbolize multiple children [5] or offspring multiplied. [23] Pomegranates can be used to embroider Chinese cloth shoes, such as xiuhuaxie (Chinese: 绣花鞋; lit. 'embroidered shoes'). [23]
Pattern darning is a type of embroidery that uses parallel rows of straight stitches of different lengths to create a geometric design. [ 2 ] Net darning , also called filet lace , is a 19th-century technique using stitching on a mesh foundation fabric to imitate lace .
Tartan (Scottish Gaelic: breacan [ˈpɾʲɛxkən]) is a patterned cloth with crossing horizontal and vertical bands in multiple colours, forming simple or complex rectangular patterns. Tartans originated in woven wool, but are now made in other materials.
Pills on a knit fabric. A pill, colloquially known as a bobble, fuzzball, or lint ball, is a small ball of fibers that forms on a piece of cloth. Pill is also a verb for the formation of such balls. [1] [2] Pilling is a surface defect of textiles caused by wear, and is generally considered an undesirable trait. [3]
Polĺèng cloth are the black and white checkered pattern seen almost everywhere. Polèng refers to the black and white squares and not the material from which it is made or if it is woven or printed. Most of the printed cloth comes from Java, but there are still weavers in Bali who produce hand woven polèng for special applications. [3]
Cable patterns tend to draw the fabric together, making it denser and less elastic; [11] Aran sweaters are a common form of knitted cabling. [12] Arbitrarily complex braid patterns can be done in cable knitting , with the proviso that the wales must move ever upwards; it is generally impossible for a wale to move up and then down the fabric.
Prehistoric Textiles: The Development of Cloth in the Neolithic and Bronze Ages with Special Reference to the Aegean. Princeton: Princeton University Press. ISBN 0-691-03597-0; Scheid, John, and Jesper Svenbro (1996). The Craft of Zeus: Myths of Weaving and Fabric. Cambridge: Harvard University Press. ISBN 0-674-17549-2; Weigle, Marta (2007, 1982).
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