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The other method involves the performer holding the instrument in their lap, placing the bow parallel to the instrument and firmly dragging it across the side of the bridge. In this case the sound is loud, high pitched and squeaky. An example of this playing technique can be found in Gérard Grisey's Vortex Temporum (1995).
Playing a harmonic on a string. Here, "+7" indicates that the string is held down at the position for raising the pitch by 7 semitones. Playing a string harmonic (a flageolet) is a string instrument technique that uses the nodes of natural harmonics of a musical string to isolate overtones. Playing string harmonics produces high pitched tones ...
Clarion is a name for a high-pitched trumpet used in the Middle Ages and the Renaissance. It is also a name for a 4' organ reed stop that produces a high-pitched or clarion-like sound on a pipe organ in the clarion trumpet's range of notes. [1] [2] The word clarion has changed meanings over centuries and across languages.
When an electric guitar is plugged into a loud, powerful guitar amplifier with a loudspeaker and a high level of distortion is intentionally used, the guitar produces sustained high-pitched sounds. By changing the proximity of the guitar to the speaker, the guitarist can produce sounds that cannot be produced with standard plucking and picking ...
The A-flat (A♭) clarinet is the highest-pitched instrument of the clarinet family still manufactured. It is just over half the length of the common B♭ clarinet and pitched a minor seventh higher, a perfect fourth higher than the E♭ clarinet.
The names of different varieties of fife follow the conventions of transposing instruments: defining the key in which a transposing instrument sounds as the major key whose tonic is either the lowest pitch producible by that instrument without fingering or other manipulation, or the pitch produced when the player fingers a C on the staff.
But it does mean that the baroque and renaissance repertoire was intended to be played at the higher pitch. There are many examples of evidence for this: Fellow church instruments that are fixed pitch—cornetts and organs—were pitched at approximately A=460–480 Hz ("Chorton") across Europe in the Renaissance and baroque eras. High pitch is ...
Sometimes the same pitch as an open string will be fingered on an adjacent string, so that the alternation is between the same note on two strings, one stopped, one open, giving a rhythmic pulsating effect. Bariolage was a favorite device of Joseph Haydn, who used it for example in his string quartet Opus 50 no. 6, and in the "Farewell" Symphony.