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"I've Got a Lovely Bunch of Coconuts" is a novelty song composed in 1944 (as "I've Got a Lovely Bunch of Cocoanuts") by Fred Heatherton, a songwriting pseudonym for a collaboration of English songwriters Harold Elton Box and Desmond Cox, with Lewis Ilda (itself a pseudonym of American songwriter Irwin Dash). [1]
Dash also wrote songs under the name Lewis Ilda. One of his best remembered songs is "I've Got a Lovely Bunch of Coconuts", written with English songwriters Elton Box and Desmond Cox of Box and Cox Publications, under the collective pseudonym of Fred Heatherton, [2] and copyrighted in 1944.
In 1950, a Decca single, "I've Got a Lovely Bunch of Coconuts", was released, and became another chart hit for him. [55] His second Columbia LP album Danny Kaye Entertains (1953, Columbia) included five songs recorded in 1941 from his Broadway musical Lady in the Dark, most notably "Tschaikowsky (and Other Russians)". [57]
Their greatest hit was "I've Got a Lovely Bunch of Cocoanuts," written with Irwin Dash under the pseudonym "Fred Heatherton." [2] The principals were Elton Box (1903–1981) and Desmond Cox (1903–1966). Bill Martin, who worked in "Tin Pan Alley" at the time, recalled their manner, 'And they had a piano. You would be invited to play them your ...
Coconuts at the Flagler Museum Dec. 31. So here it is St. Patrick’s Day, with the shamrock martini stains on our chin still wet, and that lovely bunch of Coconuts are already planning for Dec ...
In 1949, his recording of "I've Got a Lovely Bunch of Coconuts", performed with Freddy Martin and his Orchestra, sold three million copies. [ 13 ] During a nightclub performance, Griffin was discovered by Doris Day , who arranged a screen test at Warner Bros. for a role in By the Light of the Silvery Moon (1953).
He produced some 78 recordings, for example from his later repertoire: "I've Got a Lovely Bunch of Coconuts". He produced recordings at film studios for actors who could not sing. He met the band leader Billy Cotton, who was to change his career forever. Breeze started with Billy Cotton in 1932, without a contract, and stayed for 36 years.
“â â As someone who has been called a coconut and told ‘they aren’t black enough’ since they could speak,” he posted online, “If we’re criminalising ‘hate’, I’m glad we’re ...