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A few surviving vases were labelled with their names in antiquity; these included a hydria depicted on the François Vase and a kylix that declares, “I am the decorated kylix of lovely Phito” (BM, B450). Vases in use are sometimes depicted in paintings on vases, which can help scholars interpret written descriptions.
A Handbook of Greek Vase Painting. Sparks, NV: Falcon Hill Press, 1995. Mitchell, Alexandre G. Greek Vase-Painting and the Origins of Visual Humour. New York: Cambridge University Press, 2009. Noble, Joseph Veach. The Techniques of Painted Attic Pottery. New York: Watson-Guptill, 1965. Oakley, John Howard. The Greek Vase: Art of the Storyteller ...
Every-day vases were often not painted, but wealthy Greeks could afford luxuriously painted ones. Funerary vases on male graves might have themes of military prowess, or athletics. However, allusions to death in Greek tragedies was a popular motif. Famous centers of vase styles include Corinth, Lakonia, Ionia, South Italy, and Athens. [1]
Ancient Greek vase painting (2 C, 4 P) This page was last edited on 1 July 2023, at 20:08 (UTC). Text is available under the Creative Commons Attribution ...
Heracles and Geryon on an Attic black-figured amphora with a thick layer of transparent gloss, c. 540 BCE, now in the Munich State Collection of Antiquities.. Black-figure pottery painting, also known as the black-figure style or black-figure ceramic (Ancient Greek: μελανÏŒμορφα, romanized: melanómorpha), is one of the styles of painting on antique Greek vases.
When that vase type went out of use around 400 BC, white-ground vase painting also ceased. Later, during the Hellenistic period, various types of white-ground pottery occur in several locations of the Greek World, sometimes painted monochrome, sometimes polychrome. They include Hâdra vases, Canosa vases and vases of the Centuripe type.
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