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Another use of line in graphics is the ability to help suggest a tone or feeling in a work. Vertical lines can be used to create a sense of strength or stability. An example of this could be a row of trees in a picture creating a series of vertical lines. Horizontal lines can be used to create a feeling of calm, peace or passiveness.
De Bono discussed that vertical thinking is a selective process while lateral thinking can be seen as generative. [4] An example of a straight line from point A to B can further illustrate this point. Through vertical thinking, where the most optimum answer is generated, the individual would simply move from A to B without any further exploration.
A line's angle and its relationship to the frame's size influence the perspective of the image. Horizontal lines, commonly found in landscape photography, can give the impression of calm, tranquility, and space. An image filled with strong vertical lines tends to have the appearance of height and grandeur.
The photograph demonstrates the application of the rule of thirds. The horizon in the photograph is on the horizontal line dividing the lower third of the photo from the upper two-thirds. The tree is at the intersection of two lines, sometimes called a power point [1] or a crash point. [2]
A shape is a two-dimensional design encased by lines to signify its height and width structure, and can have different values of color used within it to make it appear three-dimensional. [2] [4] In animation, shapes are used to give a character a distinct personality and features, with the animator manipulating the shapes to provide new life. [1]
The converging lines toward a vanishing point (the spokes) are cues that trick our brains into thinking we are moving forward—as we would in the real world, where the door frame (a pair of vertical lines) seems to bow out as we move through it—and we try to perceive what that world will look like in the next instant.
Another explanation is the "framing-effects hypothesis", which says that the difference in the separation or gap of the horizontal lines from the framing converging lines may determine, or at least contribute to the magnitude of the distortion. The Ponzo illusion is one possible explanation of the Moon illusion, as suggested by Ponzo in 1912. [3]
For example, the vertical line feature demon is used to represent the neurons that respond to the vertical lines in the retina image. 3 Cognitive demons: Watch the "yelling" from the feature demons. Each cognitive demon is responsible for a specific pattern (e.g., a letter in the alphabet).