Search results
Results from the WOW.Com Content Network
The chest and its contents provide a valuable insight into technology during the Viking Age. The chest, 90 cm (35 in) long, 26 cm (10 in) wide and 24 cm (9.4 in) high, was made of oak with iron hinges and lock. [3] It was intact despite the rough encounter with the plough. It was rectangular with a slightly curved lid and flat bottom.
In Norse mythology, Eir (Old Norse: , "protection, help, mercy" [1]) is a goddess or valkyrie associated with medical skill. Eir is attested in the Poetic Edda , compiled in the 13th century from earlier traditional sources; the Prose Edda , written in the 13th century by Snorri Sturluson ; and in skaldic poetry, including a runic inscription ...
Gold jewellery from the 10th century Hiddensee treasure, mixing Norse pagan and Christian symbols. Pair of "tortoise brooches," which were worn by married Viking women. Viking art, also known commonly as Norse art, is a term widely accepted for the art of Scandinavian Norsemen and Viking settlements further afield—particularly in the British Isles and Iceland—during the Viking Age of the ...
Throughout the Norse lands, people lived in longhouses (langhús), which were typically 5 to 7 meters (16 to 23 ft) wide and anywhere from 15 to 75 meters (49 to 246 ft) long, depending on the wealth and social position of the owner. In much of the Norse region, the longhouses were built around wooden frames on simple stone footings.
Adils; Alaric and Eric; Arngrim; Ask and Embla; Aun; Berserkers; Bödvar Bjarki; Dag the Wise; Domalde; Domar; Dyggve; Egil One-Hand; Fafnir; Fjölnir; Gudrun; Harald ...
The blood-eagle ritual-killing rite appears in just two instances in Norse literature, plus oblique references some have interpreted as referring to the same practice. The primary versions share certain commonalities: the victims are both noblemen (Halfdan Haaleg or "Long-leg" was a prince; Ælla of Northumbria a king), and both of the ...
The architecture of Norway has evolved in response to changing economic conditions, technological advances, demographic fluctuations and cultural shifts. While outside architectural influences are apparent in much of Norwegian architecture, they have often been adapted to meet Norwegian climatic conditions, including: harsh winters, high winds and, in coastal areas, salt spray.
The Urnes style is named after the detailed designs on the carved doors of Urnes Stave Church in the Sognefjord. The style has influenced English Christian art. [1] The main symbol of the Viking Age is the Viking ship. Not only was it used as a war and trade vessel, it demonstrated true individual design