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In standard tuning, there is an interval of a major third between the second and third strings, and all the other intervals are fourths. The irregularity has a price. Chords cannot be shifted around the fretboard in the standard tuning E–A–D–G–B–E, which requires four chord-shapes for the major chords.
Standard Choro tuning – C-E-A-d-g-b-e' Standard seven-string tuning for Brazilian choro. Drop D + B 7-string tuning – B'-D-A-d-g-b-e' Standard seven-string tuning with the low E dropped to D, which results in a minor 3rd interval between the two lowest strings of B and D. Used by Ed Sloan of Crossfade.
English: 1The new standard tuning of Robert Fripp and his Guitar Craft (Guitar Circle)—also called C-major pentatonic tuning or Guitar Craft tuning ("Crafty" tuning). The diagrams provide basic chords for a beginning guitarist. With the accompanying audio files (especially the WAV file), the chords sample the harmonic palette of new standard ...
Standard C 3 • G 3 • D 4 • A 4. Common Alternates G 2 D 3 A 3 E 4; G 2 D 3 A 3 D 4; US Same tuning as tenor banjo, mandola. Guitar, terz: 6 strings 6 courses. G 2 C 3 F 3 B ♭ 3 D 4 G 4: Tertz Guitar, Tierce Guitar, Third Guitar Italy, Germany A minor third higher than standard guitar tuning. Guqin: 7 strings 7 courses. sol la do re mi ...
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
C tuning. C tuning is a type of guitar tuning. The strings of the guitar are tuned two whole steps lower than standard tuning. The resulting notes can be described most commonly as C-F-A♯-D♯-G-C or C-F-B♭-E♭-G-C. This is not to be confused with C ♯ tuning, which is one and one half steps lower than standard tuning.
Neighboring the standard tuning is the all-thirds tuning that has the open strings E2–G ♯ 2–B ♯ 2–E3–G ♯ 3–B ♯ 3 (or F ♭ 2–A ♭ 2–C3–F ♭ 3–A ♭ 3–C4). [4] With six strings, major-thirds tuning has a smaller range than standard tuning; with seven strings, the major-thirds tuning covers the range of standard ...
However, Johann Sebastian Bach chose C-sharp major for Prelude and Fugue No. 3 in both books of The Well-Tempered Clavier. In Hungarian Rhapsody No. 6 , Franz Liszt takes the unusual step of changing the key from D-flat major to C-sharp major near the start of the piece, and then back again to B-flat minor.