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"Going Out of My Mind" is a song written by Terry McBride and Kostas, and recorded by American country music group McBride & the Ride. It was released in July 1992 as the second single from their album Sacred Ground. The song reached number 5 on the Billboard Hot Country Singles & Tracks chart. [1]
"Goin' Out of My Head" is a song written by Teddy Randazzo and Bobby Weinstein, initially recorded by Little Anthony and the Imperials in 1964. Randazzo, a childhood friend of the group, wrote the song especially for them, having also supplied the group with their previous Top 20 Hit " I'm on the Outside (Looking In) ". [ 2 ]
The music video for "Going Out of My Head" was directed by Doug Aitken. [19] Featuring various breakdancers performing a b-boy routine to the song, [20] the clip received heavy airplay on the MTV television network. [21] It was later nominated for Dance Video of the Year at the 1997 Music Video Production Association (MVPA) Awards. [22]
Goin' Out of My Head is an album by American jazz guitarist Wes Montgomery that was released in 1966. It reached No. 7 on the Billboard magazine R&B chart. At the 9th Grammy Awards Goin' Out of My Head won the Grammy Award for Best Jazz Instrumental Album, Individual or Group .
"You're Going Out of My Mind" is a song written by Wayland Holyfield and Jerry McBee, and recorded by American country music artist T. G. Sheppard. Originally recorded for the 1984 album One Owner Heart, it was released in March 1985 as the only single from the album T. G.. The song reached number 10 on the Billboard Hot Country Singles ...
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The accompanying music video for "Out of My Mind" was filmed by director Dean Karr in February, at the historic Krumlov Castle in the city of Český Krumlov, in the Czech Republic. [1] It featured many special effects, including the use of sophisticated prosthetic makeup to age singer Simon Le Bon over the course of the video.
Reviewing the song for Billboard, Chuck Taylor compared the track to material by the Partridge Family, citing its short length and "plucky, air-light" guitar riff.He wrote that the song was "ultra-simple and super-catchy", adding that although the song was too "lightweight" for rock radio, it "illustrates Fastball's consistent ability to combine obvious melodies with ear-plucking lyrics."