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A film, also known as a movie or motion picture, [a] is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, emotions, or atmosphere through the use of moving images that are generally, since the 1930s, synchronized with sound and (less commonly) other sensory stimulations. [1]
War film or anti-war movie: Lewis Milestone's All Quiet on the Western Front, 1930. Because genres are easier to recognize than to define, academics agree they cannot be identified in a rigid way. [38] Furthermore, different countries and cultures define genres in different ways. A typical example are war movies.
[28] [29] Shooting movies on digital also led to new technologies for distributing films. Titan A.E., released in 2000, was the first feature film to be released for viewing over the internet. [29] Digital distribution changed the ways people received and watched media. It also gave viewers access to huge amounts of online content on demand. [30]
A type of film distribution in which a film is shown in just a small fraction of the movie theaters available in a region or country, typically only in major metropolitan markets and often at small-scale independently owned theaters; in the U.S. and Canada, a limited release is defined as a film released in less than 600 theaters nationwide.
Interest in theatrical 3D movies dwindled during the following decades, but they started to get exploited as (part of) special attractions, such as 4D simulator rides and Imax theatres. In the early 2000s, digital cinema began to takeover and polarized 3D movies became popular. Movies were no longer created on film.
The etymology of the term "movie theater" involves the term "movie", which is a "shortened form of moving picture in the cinematographic sense" that was first used in 1896 [7] and "theater", which originated in the "...late 14c., [meaning an] open air place in ancient times for viewing spectacles and plays". The term "theater" comes from the ...
By the mid 1980s, home video and cable movie channels threatened to render the grindhouse obsolete. By the end of the decade, these theaters had vanished from Los Angeles's Broadway and Hollywood Boulevard, New York City's Times Square and San Francisco's Market Street. Another example was the Jolar Theater in Nashville, Tennessee, on lower ...
In his book Crime Movies: An Illustrated History, Carlos Clarens discussed location being related to thrillers as well, stating that crime films as emphasized broad, socially symbolic characters such as the criminal, the Law, and society while thrillers were more concerned with violence or disturbances within a private sphere. [19]