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Various folk cultures and traditions assign symbolic meanings to plants. Although these are no longer commonly understood by populations that are increasingly divorced from their rural traditions, some meanings survive. In addition, these meanings are alluded to in older pictures, songs and writings.
In Christian iconography plants appear mainly as attributes on the pictures of Christ or the Virgin Mary. Christological plants are among others the vine, the columbine, the carnation and the flowering cross, which grows out of an acanthus plant surrounded by tendrils. Mariological symbols include the rose, lily, olive, cedar, cypress and palm ...
Trees are significant in many of the world's mythologies, and have been given deep and sacred meanings throughout the ages. Human beings, observing the growth and death of trees , and the annual death and revival of their foliage, [ 1 ] [ 2 ] have often seen them as powerful symbols of growth, death and rebirth.
Various trees of life are recounted in folklore, culture and fiction, often relating to immortality or fertility.They had their origin in religious symbolism. According to professor Elvyra Usačiovaitė, a "typical" imagery preserved in ancient iconography is that of two symmetrical figures facing each other, with a tree standing in the middle.
The Yakshis or Yakshinis (Sanskrit: याक्षिणि), mythical maiden deities of Hindu, Buddhist, and Jain mythology are closely associated with trees, especially the ashoka tree and the sal tree. Although these tree deities are usually benevolent, there are also yakshinis with malevolent characteristics in Indian folklore. [1]
A tree offers a beautiful image of freedom without violence, and can in no way threaten ideas of social inequality, since in the development of a plant all branches are unequal precisely because they are free". [18] Destruction des arbres de la liberté by Henri Valentin, 1850. The return of the Republic in 1870 was an opportunity to plant new ...
Illustration from Floral Poetry and the Language of Flowers (1877). According to Jayne Alcock, grounds and gardens supervisor at the Walled Gardens of Cannington, the renewed Victorian era interest in the language of flowers finds its roots in Ottoman Turkey, specifically the court in Constantinople [1] and an obsession it held with tulips during the first half of the 18th century.
Kalpavriksha is also identified with many trees such as parijata (Nyctanthes arbor-tristis), Ficus benghalensis, Acacia, Madhuca longifolia, Prosopis cineraria, Diploknema butyracea, and mulberry tree (Morus nigra tree). The tree is also extolled in iconography and literature.