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The scale, at 640 mm, and fretting of the early guitars was very similar to other contemporary guitars (including the Gibson and Martin guitar designs from which most modern acoustic guitar patterns ultimately derive), but with a wide fretboard more typical of a classical guitar; they also had 12 frets clear of the body, although left hand ...
Consequently, three hand-positions (covering frets 1–4, 5–8, and 9–12) partition the fingerboard of classical guitar, [9] which has exactly 12 frets. [note 1] Only two or three frets are needed for the guitar chords—major, minor, and dominant sevenths—which are emphasized in introductions to guitar-playing and to the fundamentals of ...
[1] [2] The top and bottom strings are typically tuned to G and C respectively, with the 12 frets having notes 1 D, 2 E, 3 F, 4 G, 5 A, 6 B, 7 C, 8 D, 9 E, 10 F, 11 G, 12 A. Chapei Dang Veng also encapsulates in a broader scale a musical tradition closely associated with the life, customs and beliefs of the Cambodian people.
[11] [12] With the repetition of three open-string notes, each major-thirds tuning provides the guitarist with many options for fingering chords. Indeed, the fingering of two successive frets suffices to play pure major and minor chords, while the fingering of three successive frets suffices to play seconds, fourths, sevenths, and ninths. [11] [14]
For each hand-position of four frets, the left hand is stationary while its fingers move. Consequently, three hand-positions (of frets 1-4, 5-8, and 9-12) cover the 12-fret octave of each string. [7] In common with other classical stringed instruments, classical guitar playing and notation use formal positions of the left hand.
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Consequently, three hand positions (covering frets 1–4, 5–8, and 9–12) partition the fingerboard of classical guitar, [89] which has exactly 12 frets. [k] Only two or three frets are needed for the guitar chords—major, minor, and dominant sevenths—which are emphasized in introductions to guitar-playing and to the fundamentals of music.