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Several portraits of older people of 17th-century Amsterdam have survived, and sometimes these were pendants and sometimes they were individual portraits. This painting was attributed to Rembrandt for more than a century, but the name of the sitter is unknown. During the course of the 20th-century, this painting was attributed to Jacob ...
Portrait of an Old Woman, c 1480, 26.5 x 17.8cm (14.6 × 10.6in). Museum of Fine Arts, Houston. Portrait of an Old Woman is a small oil on wood panel painting by the Early Netherlandish painter Hans Memling, completed c 1475–80, and in the collection of the Museum of Fine Arts, Houston, Texas, since 1944. The panel has obviously been cut down ...
In 2000 the portrait was sold at Christie's in London as a portrait of the wife of the theologian Johannes Sylvius for nearly 20 million pounds. [5] Aeltje Pietersdr Uylenburgh lived in the minister's residence of the Oude Kerk and was the daughter of Saskia van Uylenburgh's uncle Pieter, making them first cousins, though Aeltje was a generation older and probably served as a guide for the 21 ...
The poignancy of the image is dramatized by the contrast between the man's weathered and wise face, and the child's delicate profile. While the composition is thematically related to portraiture from the Netherlands, by the mid-15th century the motif of a portrait in an interior with a landscape seen in the distance was common in Italy. [1] [4]
The Ugly Duchess (also known as A Grotesque Old Woman) is a satirical portrait painted by the Flemish artist Quinten Matsys around 1513.. The painting is in oil on an oak panel, measuring 62.4 by 45.5 cm. [1] It shows an old woman with wrinkled skin and withered breasts.
Portrait of an Old Woman: 1563: Oil on panel: 22 × 18: Alte Pinakothek: MS 38 Adoration of the Magi in the Snow: 1563: Oil on panel: 35 × 55: Oskar Reinhart Collection 'Am Römerholz', Winterthur: MS 33 Yawning Man (disputed attribution) c. 1563: Oil on panel: 12.6 x 9.2: Royal Museums of Fine Arts of Belgium: The Adoration of the Kings: 1564 ...
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In his times, Pliny complained of the declining state of Roman portrait art, "The painting of portraits which used to transmit through the ages the accurate likenesses of people, has entirely gone out…Indolence has destroyed the arts." [22] [23] These full-face portraits from Roman Egypt are fortunate exceptions. They present a somewhat ...
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