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Comparison of the "To be, or not to be" speech in the first three editions of Hamlet, showing the varying quality of the text in the Bad Quarto, the Good Quarto, and the First Folio. "To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1).
The monologue, spoken in the play by Prince Hamlet to Rosencrantz and Guildenstern in Act II, Scene 2, follows in its entirety. Rather than appearing in blank verse, the typical mode of composition of Shakespeare's plays, the speech appears in straight prose:
Q1 of Hamlet (also called the "First Quarto", full title The Tragicall Historie of Hamlet Prince of Denmarke) is a short early text of the Shakespearean play. The intended publication of the play is entered in the Stationers' Register in 1602 by James Roberts , but Q1 was not published until summer or autumn 1603.
Comparison of the 'To be, or not to be' soliloquy in the first three editions of Hamlet, showing the varying quality of the text in the Bad Quarto (Q1), the Good Quarto (Q2) and the First Folio. The earliest texts of William Shakespeare's works were published during the 16th and 17th centuries in quarto or folio format. Folios are large, tall ...
William Shakespeare's play Hamlet has contributed many phrases to common English, from the famous "To be, or not to be" to a few less known, but still in everyday English. Some also occur elsewhere (e.g. in the Bible) or are proverbial. All quotations are second quarto except as noted:
Mieses wrote the first translation into Hebrew of the "To be, or not to be" soliloquy from Hamlet in 1842, based on a German translation by Moses Mendelssohn, [1] but it remained unpublished until 1891.
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Hamlet Q1 (1603), the first published text of Hamlet, is often described as a "bad quarto".. A bad quarto, in Shakespearean scholarship, is a quarto-sized printed edition of one of Shakespeare's plays that is considered to be unauthorised, and is theorised to have been pirated from a theatrical performance without permission by someone in the audience writing it down as it was spoken or ...