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The Dark Corner is a 1946 American crime film noir directed by Henry Hathaway and starring Lucille Ball, Clifton Webb, William Bendix and Mark Stevens. [2] The film was not a commercial success but has since been described as a "Grade A example of film noir ."
Lucille Désirée Ball (August 6, 1911 – April 26, 1989) was an American actress, comedian, producer, and studio executive. She was recognized by Time in 2020 as one of the most influential women of the 20th century for her work in all four of these areas. [1]
Paul Revere Williams, FAIA (February 18, 1894 – January 23, 1980) was an American architect based in Los Angeles, California.Most of the buildings he designed were in Southern California and included the homes of numerous celebrities, such as Frank Sinatra, Lucille Ball and Desi Arnaz, Lon Chaney, Barbara Stanwyck, and Charles Correll.
Joy of Living is a 1938 American musical comedy film directed by Tay Garnett and starring Irene Dunne and Douglas Fairbanks Jr. with supporting performances from Alice Brady, Guy Kibbee, Jean Dixon, Eric Blore and Lucille Ball. It features the hit song "You Couldn't Be Cuter," written by Jerome Kern and Dorothy Fields.
When Cher started thinking about calling it quits with Sonny Bono, she turned to Lucille Ball for support.. The 78-year-old Grammy winner recalled a conversation she had with the now-late icon in ...
Lured is a 1947 American film noir directed by Douglas Sirk and starring George Sanders, Lucille Ball, Charles Coburn, Sir Cedric Hardwicke, and Boris Karloff. [2] The film is a remake of 1939 French film Pièges directed by Robert Siodmak, which was titled Personal Column in the United States; Personal Column was also the title of this film as originally released.
Tinseltown icons Lucille Ball and Joan Crawford each left their indelible mark in their given sector of the Hollywood realm. But when they came together in an episode of Ball's sitcom, The Lucy ...
The film is directed by Emmy Award winning actress, comedian and director Amy Poehler in her documentary directorial debut, and written by Mark Monroe. Poehler and the creative team were able to utilize never-before-heard audio interviews with Ball and Arnaz after producer Jeanne Elfant Festa discovered a box of audiotapes while exploring archival materials with Lucy and Desi's daughter, Lucie ...