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The International Society for Music Information Retrieval (ISMIR) is an international forum for research on the organization of music-related data. It started as an informal group steered by an ad hoc committee in 2000 [1] which established a yearly symposium - whence "ISMIR", which meant International Symposium on Music Information Retrieval ...
Music information retrieval (MIR) is the interdisciplinary science of retrieving information from music. Those involved in MIR may have a background in academic musicology , psychoacoustics , psychology , signal processing , informatics , machine learning , optical music recognition , computational intelligence , or some combination of these.
Conferences on databases, information systems, information retrieval, data mining and the World Wide Web: BTW - GI Conference on Database Systems for Business, Technology and Web; CIDR - Conference on Innovative Data Systems Research; CIKM - ACM Conference on Information and Knowledge Management; ECIR - European Conference on Information Retrieval
The Sound and Music Computing (SMC) Conference [1] is the forum for international exchanges around the core interdisciplinary topics of Sound and Music Computing. The conference is held annually to facilitate the exchange of ideas in this field.
Sound and music computing (SMC) is a research field that studies the whole sound and music communication chain from a multidisciplinary point of view. By combining scientific, technological and artistic methodologies it aims at understanding, modeling and generating sound and music through computational approaches.
Several international conferences have been held at IRCAM: ICMC, the yearly International Computer Music Conference, in 1984; ISMIR 2002, the 3rd international conference on music information retrieval, in October 2002 [10] NIME-06, the 6th International Conference on New Interfaces for Musical Expression, in June 2006
The use of computers in order to study and analyze music generally began in the 1960s, [3] although musicians have been using computers to assist them in the composition of music beginning in the 1950s. Today, computational musicology encompasses a wide range of research topics dealing with the multiple ways music can be represented. [4]
[1] [2] Other music informatics research topics include computational music modeling (symbolic, distributed, etc.), [2] computational music analysis, [2] optical music recognition, [2] digital audio editors, online music search engines, music information retrieval and cognitive issues in music. Because music informatics is an emerging ...