Search results
Results from the WOW.Com Content Network
Self-portraiture, or Autoportraiture is the field of art theory and history that studies the history, means of production, circulation, reception, forms, and meanings of self-portraits. [ 1 ] [ 2 ] [ 3 ] Emerging in Antiquity and becoming popular from the Renaissance as an artistic practice, as a specific field of study, self-portraiture is ...
This category is about Self-portraiture, or Autoportraiture: field of art theory and history that studies the history, means of production, circulation, reception, forms, and meanings of self-portraits
Self-Portrait Painting Marie Antoinette is an oil on canvas painting by Élisabeth Vigée Le Brun, from 1790. It is held in the collection of the Uffizi , in Florence . Le Brun painted the work in Rome after fleeing France to escape the French Revolution in 1789.
Self-Portrait in a Straw Hat; Self-Portrait in a Striped T-shirt; Self-portrait in a Velvet Dress; Self-Portrait in the Costume of the Abbot of the Accademia della Val di Blenio; Self-Portrait in Tuxedo; Self-portrait of Shevchenko (winter 1840/1841) Self-Portrait on an Easel; Self-portrait with a Blue Sketchbook; Self-Portrait with a Harp ...
What remains is "a photo of a painting of a person, and the real person hidden somewhere underneath." [3] She takes a classical concept – trompe-l'œil, the art of making a two-dimensional representational painting look like a real three-dimensional space – and does the opposite, making real life appear to be a painting. [1] [4]
A self-portrait of a colorless, but youthful, rounded oval face, in full-frontal view, emerges from a reddish-brown, textured, but indistinct background; the eyes of the face are open but the body belonging to the face is abstract, blurred by pencil strokes and the color of sepia ink; [1] the clothing worn by the subject is indistinguishable as it dissolves into the background with each pencil ...
The drawing is related to the painting W23 : Standing Beggar in Lost Profile: c. 1628-1629: Pen: 29.4 x 17 cm: Rijksmuseum Amsterdam: The drawing is related to the etching B162 : Self-portrait with Open Mouth: c. 1628-1629: Pen and brown ink with grey wash; ruled framing lines in the same brown ink: 12.7 x 9.5 cm: British Museum, London
Sesshū Tōyō (雪舟 等楊, c. 1420 – August 26, 1506), also known simply as Sesshū (雪舟), was a Japanese Zen monk and painter who is considered a great master of Japanese ink painting. Initially inspired by Chinese landscapes, Sesshū's work holds a distinctively Japanese style that reflects Zen Buddhist aesthetics. [ 1 ]