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The figure on the left is wearing a mask and a second mask is lying on the ground between them. The masks represent a female and they have a kerchief around the hair on the mask. Their costumes also include female clothing such as high boots and a chiton. Ceramic Athenian Pelike. Phiale Painter. Ancient Greek. Around 430 BCE. [1]
The mask-makers were called skeuopoios or "maker of the props", thus suggesting that their role encompassed multiple duties and tasks. The masks were most likely made out of light weight, organic materials like stiffened linen, leather, wood, or cork, with the wig consisting of human or animal hair. [ 23 ]
A typical representation of the comedy and tragedy masks The comedy and tragedy masks are a pair of masks, one crying and one laughing, that have widely come to represent the performing arts . Originating in the theatre of ancient Greece , the masks were said to help audience members far from the stage to understand what emotions the characters ...
The Mask of Agamemnon is a gold funerary mask discovered at the Bronze Age site of Mycenae in southern Greece. The mask, displayed in the National Archaeological Museum of Athens , has been described by the historian Cathy Gere as the " Mona Lisa of prehistory".
A drinking cup, c. 490–480 B.C., depicting a maenad and a satyr.. The satyr play is a form of Attic theatre performance related to both comedy and tragedy.It preserves theatrical elements of dialogue, actors speaking verse, a chorus that dances and sings, masks and costumes.
Nicholas Nicastro, The Isle of Stone: A Novel of Ancient Sparta (2005) Jan Parandowski, The Olympic Discus (1939) Mary Renault. The Mask of Apollo (1966) The Praise Singer (1978) Caroline Snedeker, Theras and His Town (1925) José Carlos Somoza, The Athenian Murders (2002) Henry De Vere Stacpoole, The Street of the Flute-Player (1912)
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The use of masks in dance in the West traces back to ancient Greece. Grecian dancers would use masks for religious rituals to embody Dionysus and Appollo. [1] In Greek theaters, masks are used to enhance the drama of tragedy and comedy, illustrated by kordax, a mask dance of comedy characterized of uninhibited lasciviousness. [2]
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