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The psalm, which is anonymous, is referred to in Hebrew by its opening words, "Ashrei temimei derech" ("happy are those whose way is perfect"). In Latin, it is known as "Beati inmaculati in via qui ambulant in lege Domini". [1] The psalm is a hymn psalm and an acrostic poem, in which each set of eight verses begins with a letter of the Hebrew ...
Gelineau psalmody is a method of singing the Psalms that was developed in France by Catholic Jesuit priest Joseph Gelineau around 1953, with English translations appearing some ten years later. [1] Its chief distinctives are:
The example above is a single chant. This is mostly only used for very short psalms (half a dozen verses or so). The most commonly used chants are double chants. These are twice the length of a single chant. The music of the chant is repeated for every pair of verses.
A fuller appreciation of the formal literary virtues of Biblical poetry remained unavailable for European Christians until 1754, when Robert Lowth (later made a bishop in the Church of England), kinder to the Hebrew language than his own, published Praelectiones Academicae de Sacra Poesi Hebraeorum, which identified parallelism as the chief ...
Gaelic psalm singing, or Gaelic psalmody (Scottish Gaelic: Salmadaireachd), [1] is a tradition of exclusive psalmody in the Scottish Gaelic language found in Presbyterian churches in the Western Isles of Scotland.
The hymn tune "St. Anne" (common metre 86.86) to which the text is most often sung was composed by William Croft in 1708 whilst he was the organist of St Anne's Church, Soho: hence the name of the tune. It first appeared anonymously in the Supplement to the New Version of the Psalms, 6th edition in 1708.
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The Song of Hannah is a poem interpreting the prose text of the Books of Samuel. According to the surrounding narrative, the poem (1 Samuel 2:1–10) was a prayer delivered by Hannah, to give thanks to God for the birth of her son, Samuel. It is similar to Psalm 113 [1] and the Magnificat. [2]