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The Thirty-Six Immortals of Poetry (三十六歌仙, Sanjūrokkasen) are a group of Japanese poets of the Asuka, Nara, and Heian periods selected by Fujiwara no Kintō as exemplars of Japanese poetic ability. The oldest surviving collection of the 36 poets' works is Nishi Honganji Sanju-rokunin Kashu ("Nishi Honganji 36 poets collection") of 1113.
Rokkasen, by Hokusai. The Rokkasen (六歌仙, "six poetry immortals") are six Japanese poets of the mid-ninth century who were named by Ki no Tsurayuki in the kana and mana prefaces to the poetry anthology Kokin wakashū (c. 905–14) as notable poets of the generation before its compilers.
Ishizuka Tomoji 石塚友二 the kanji (Japanese writing) is a pen name of Ishizuka Tomoji, which is written with the different kanji 石塚友次, but in English there is no difference (1906–1984), Shōwa period haiku poet and novelist; Itō Sachio 伊藤佐千夫, pen name of Itō Kojirō (1864–1913), Meiji period tanka poet and novelist
Kaifūsō : the oldest collection of Chinese poetry written by Japanese poets; Imperial anthologies: advancing the Imperial waka anthologies, the earliest imperial anthologies gathered Kanshi, the Chinese poetry which Japanese learned from the Tang dynasty. Three anthologies were edited in the early Heian period: Ryōunshū
Edition of the Kokin Wakashū anthology of classic Japanese poetry with wood-carved cover, 18th century. Japanese poetry is poetry typical of Japan, or written, spoken, or chanted in the Japanese language, which includes Old Japanese, Early Middle Japanese, Late Middle Japanese, and Modern Japanese, as well as poetry in Japan which was written in the Chinese language or ryūka from the Okinawa ...
Kireji (切れ字, lit. "cutting word") are a special category of words used in certain types of Japanese traditional poetry. It is regarded as a requirement in traditional haiku, as well as in the hokku, or opening verse, of both classical renga and its derivative renku (haikai no renga).
During this period, since the language of most official documents was Chinese, most men of the nobility used Chinese characters to write poetry and prose in Chinese, [5] but among women the kana syllabary continued to grow in popularity, and more and more men adopted this simpler style of writing as well.
The Heian period ushered a revival of Japanese classical poetry, waka, and native vernacular writing, kana. Waka, traditional Japanese thirty-one syllable poetry, was used for purposes ranging from official proclamations and poetry contests to private matters of courtship, and became crucial to success in the life of the aristocracy. [ 3 ]