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Traditional music from Ireland and Scotland is by far the most common music to play on the tin whistle, and comprises the vast majority of published scores suitable for whistle players. The tin whistle is very common in Irish music to the point that it could be called characteristic of the genre and fairly common in Scottish music.
The Dubliners. Instrumental, circa 1964. Also the song "For what died the sons of Róisín". Joanie Madden, leader of Cherish the Ladies, tin whistle instrumental on her solo album Song of the Irish Whistle (1997) Máire Ní Chathasaigh recorded an instrumental version for solo harp on her duo album with Chris Newman Live in the Highlands (1995)
Brian Finnegan (born 20 August 1969) is an Irish flute and tin whistle player from Armagh. Finnegan began playing whistle at age 8 and flute at age 10 as a student of the Armagh Pipers Club [1] under the tuition of the Vallely family. He first came to public attention with the Irish group Upstairs in a Tent. [2]
Her two virtuosic recordings of the solo tin whistle, Feadóga Stáin (1979) and Feadóga Stáin 2 (1993), have been critically cited as "outstanding and unequalled". [2] Bergin moved to An Spidéal, County Galway, in the early 1970s and played with many of the up-and-coming stars of the Irish music scene, notably De Danann and Ceoltóri ...
Carmel Gunning is an Irish composer and musician, from Sligo, Ireland. Gunning is one of Ireland's most accomplished tin whistle players who is also known for her singing and flute playing and also plays guitar and button accordion. Gunning's rich stylised form of whistle playing and tradition stems from her homeland of Geevagh in South County ...
Planxty [1] were an Irish folk music band formed in January 1972, [1]: 99–100 consisting initially of Christy Moore (vocals, acoustic guitar, bodhrán), Andy Irvine (vocals, mandolin, mandola, bouzouki, hurdy-gurdy, harmonica), Dónal Lunny (bouzouki, guitars, bodhrán, keyboards), and Liam O'Flynn (uilleann pipes, tin whistle).
Irish dance music is isometric and is built around patterns of bar-long melodic phrases akin to call and response.A common pattern is A Phrase, B Phrase, A Phrase, Partial Resolution, A Phrase, B Phrase, A Phrase, Final Resolution, though this is not universal; mazurkas, for example, tend to feature a C Phrase instead of a repeated A Phrase before the Partial and Final Resolutions, for example.
Irish folk music: Length: 36: 56: Label: ... Irish Songs of Drinking & Blackguarding is a collection of traditional Irish drinking songs that ... tin whistle; Jack ...
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