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The Eight Principles of Yong are used by calligraphers to practice how to write the eight most common strokes in regular script, using the fact that they are all present in the character 永; yǒng; 'forever', 'permanence'.
Detail from Zaner's 1896 article: The Line of Direction in Writing [3] A major factor contributing to the development of the Zaner-Bloser teaching script was Zaner's study of the body movements required to create the form of cursive letters when using the 'muscular arm method' of handwriting – such as the Palmer Method – which was prevalent in the United States from the late 19th century.
Chinese calligraphy is the writing of Chinese characters as an art form, combining purely visual art and interpretation of the literary meaning. This type of expression has been widely practiced in China and has been generally held in high esteem across East Asia. [1]
The five basic strokes of heng (一), shu (丨), pie (丿), dian (丶), and zhe (𠃍) at the beginning of each group are called main stroke shapes; and the following strokes are called subordinate stroke shapes, or secondary strokes. The name of a category is the name of the main stroke.
The Xuanhe Calligraphy Manual (宣和書譜) credits Wang Cizhong with creating the regular script, based on the clerical script of the early Han dynasty (202 BCE – 220 CE). It became popular during the Eastern Han and Three Kingdoms periods, [ 2 ] with Zhong Yao ( c. 151 – 230 CE), [ 3 ] a calligrapher in the state of Cao Wei (220–266 ...
Japanese calligraphy (書道, shodō), also called shūji (習字), is a form of calligraphy, or artistic writing, of the Japanese language. Written Japanese was originally based on Chinese characters only , but the advent of the hiragana and katakana Japanese syllabaries resulted in intrinsically Japanese calligraphy styles.
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