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William Henry Mauldin (/ ˈ m ɔː l d ən /; October 29, 1921 – January 22, 2003) was an American editorial cartoonist who won two Pulitzer Prizes for his work. He was most famous for his World War II cartoons depicting American soldiers, as represented by the archetypal characters Willie and Joe, two weary and bedraggled infantry troopers who stoically endure the difficulties and dangers ...
In most cartoons, they were shown in the rain, mud, and other dire conditions, while they contemplated the whole situation. [3] In the early cartoons, depicting stateside military life in barracks and training camps, Willie was a hook-nosed, smart-mouthed Chocktaw Indian, while Joe was his red-necked straight man. But over time, the two became ...
With World War I looming, young U.S. Army doughboy Robert Conroy has his life forever changed when a Boston Terrier puppy with a stubby tail wanders into camp, as the men of the 102nd Infantry Regiment, 26th Infantry Division train on the parade grounds of Yale University. Conroy gives his new friend a name, a family, and a chance to embark on ...
The term "dogface" to describe an American soldier appeared in print at least as early as 1935. [5] [6] Contemporaneous newspapers accounted for the nickname by explaining that soldiers "wear dog-tags, sleep in pup tents, and are always growling about something" and "the army is a dog's life...and when they want us, they whistle for us."
Sergeant Stubby (1916 – March 16, 1926) was a dog and the unofficial mascot of the 102nd Infantry Regiment and was assigned to the 26th (Yankee) Division in World War I.He served for 18 months and participated in 17 battles and four offensives on the Western Front.
The Multiple Plastics Corporation manufactured a 1964 Camp Swampy playset, a tie-in with the cartoon TV show, with character figures accompanying the usual MPC toy GIs and military vehicles. In 2000, Dark Horse Comics issued two collectible figures of Beetle and Sarge as part of their line of Classic Comic Characters—statues No. 11 and 12 ...
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Set in the United States Army, Sad Sack depicted an otherwise unnamed, lowly private experiencing some of the absurdities and humiliations of military life. The so-called "unnamed private" was actually Ben Schnall, a true-life private in the US Army during World War II, member of Yank magazine and good curmudgeonly friend of Sgt. George Baker ...
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