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Shanti Mantras always end with the sacred syllable om (auṃ) and three utterances of the word "shanti", which means "peace". The reason for the three utterances is regarded to be for the removal of obstacles in the following three realms:
Jaijaivanti or Jaijaiwanti is a Hindustani classical raga belonging to Khamaj Thaat. [1] According to the Guru Granth Sahib, this raga is a mixture of two others: Bilaval and Sorath.
Sahana (pronounced sahānā) is a popular ragam (musical scale) in Carnatic music. It is a janya rāgam (derived scale) associated with the 28th Melakarta rāgam Harikambhoji . The Hindustani music ragam Sahana is an upper-tetrachord-dominant Kanada-anga raga , from the Kafi thaat, also allied with Bageshree and Bhimpalasi .
Gamaka (Hindi: गमक / Urdu: گمک) (also spelled gamakam) refer to ornamentation that is used in the performance of North and South Indian classical music. [1] Gamaka can be understood as embellishment done on a note or between two notes. Present-day Carnatic music uses at least fifteen different kinds of ornamentation. [2]
Darbar is a scale that is used for compositions in a medium to fast tempo. This scale has been used by many composers and there are many compositions in classical music. It has been used to score film music, too.
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Om Namo Bhagavate Vāsudevaya in Devanagari. Om Namo Bhagavate Vāsudevāya (Sanskrit: ॐ नमो भगवते वासुदेवाय, lit. 'I bow to God Vāsudeva'; listen ⓘ) is one of the most popular mantras in Hinduism and, according to the Bhagavata tradition, the most important mantra in Vaishnavism. [1]
Natabhairavi scale with shadjam at C. It is the 2nd rāgam in the 4th chakra Veda.The mnemonic name is Veda-Sri.The mnemonic phrase is sa ri gi ma pa dha ni. [1] Its ārohaṇa-avarohaṇa structure is as follows (see swaras in Carnatic music for details on the notations used):