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Upon release, Blues for Allah became the band's highest-charting album up to that point, peaking at number 12 in the US during a thirteen-week chart run and becoming their third straight top 20 album. [2] Two singles were released to promote the album—"The Music Never Stopped" and "Franklin's Tower"—with the former cracking the Billboard ...
Bob Weir (born 1947) was a founding member of the Grateful Dead and began playing Ibanez guitars in the mid-1970s during the recording of Blues for Allah. He played a custom Ibanez 2681 until the mid-1980s, when he switched to Modulus Guitars.
The band released four vinyl LPs on the label in the mid-1970s: Wake of the Flood in 1973, From the Mars Hotel in 1974, Blues for Allah in 1975, and a live double album, Steal Your Face, in 1976. Album distribution was negotiated and contracted by the band's label through United Artists Records.
The albums included in the box set are Wake of the Flood (originally released in 1973), From the Mars Hotel (1974), Blues for Allah (1975), and Steal Your Face (a live double album recorded in 1974 and released in 1976).
The concert marked the first time that the album Blues for Allah was performed live in its entirety, along with eight other songs. Retrospectively, Rolling Stone magazine lists the concert as one of 20 "essential" live concerts by the Grateful Dead. [3]
The tracks on Sage & Spirit were excerpted from the albums Workingman's Dead (1970), American Beauty (1970), Europe '72 (1972), Wake of the Flood (1973), From the Mars Hotel (1974), Blues for Allah (1975), Shakedown Street (1978), and Go to Heaven (1980). Sage & Spirit was a cross-marketing promotion with Dogfish Head Brewery.
Dick's Picks Volume 35 is the 35th installment of the Dick's Pick's series of Grateful Dead concert recordings. It is a four-CD set that contains the complete shows recorded on August 7, 1971 at Golden Hall in San Diego, California, and on August 24, 1971 at the Auditorium Theatre in Chicago, Illinois.
Included in the release is a single sheet of paper, printed on both sides and folded into thirds, yielding a six-page enclosure. The front cover is a replica of the disc's cover and the back cover shows a small, oval-shaped image of what looks like a Sconce (light fixture) or other small sculpture, engraved with Stanley in uppercase and presumably from the venue, against a background of clouds ...