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The arrival of Romanticism in French art was delayed by the strong hold of Neoclassicism on the academies, but from the Napoleonic period it became increasingly popular, initially in the form of history paintings propagandising for the new regime, of which Girodet's Ossian receiving the Ghosts of the French Heroes, for Napoleon's Château de ...
Romanticism (also known as the Romantic movement or Romantic era) was an artistic and intellectual movement that originated in Europe towards the end of the 18th century. The purpose of the movement was to advocate for the importance of subjectivity , imagination , and appreciation of nature in society and culture in response to the Age of ...
This is a chronological list of periods in Western art history. An art period is a phase in the development of the work of an artist , groups of artists or art movement . Ancient Classical art
Romanticism placed an emphasis on nature, especially when aiming to portray the power and beauty of the natural world, and emotions, and sought a highly personal approach to art. Romantic art was about individual feelings, not common themes, such as in Neoclassicism; in such a way, Romantic art often used colours in order to express feelings ...
Romanticism's emphasis on nature often manifested in a pantheistic worldview and a novel approach to landscape design. Furthermore, the movement's focus on historical context revolutionized the understanding of humanity's place within history and the value of established institutions like the State and the Church. This humanistic idealism ...
Romanticism continued to grow in reaction to the effects of the social transformation caused by the Revolution. There are many signs of these effects of the French Revolution in various pieces of Romantic literature. By examining the influence of the French Revolution, one can determine that Romanticism arose as a reaction to the French Revolution.
Romanticism (Romantisme in French) was a literary and artistic movement that appeared in France in the late 18th century, largely in reaction against the formality and strict rules of the official style of neo-classicism.
Mention should also be made of the German immigrant Johan Zoffany, owner of an original style, creating complex interior settings crammed with works of art and group portraits, [47] and Thomas Lawrence, a late representative of the Rococo and celebrated portraitist, whose career extends into Romanticism, but who initially left works of ...