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The Piano Sonata No. 14 in C-sharp minor, marked Quasi una fantasia, Op. 27, No. 2, is a piano sonata by Ludwig van Beethoven, completed in 1801 and dedicated in 1802 to his pupil Countess Julie "Giulietta" Guicciardi.
Ludwig van Beethoven's opus number 27 is a set of two piano sonatas. They were published separately [ 1 ] in March 1802. [ 2 ] Both sonatas are entitled Sonata quasi una Fantasia , which roughly translated as sonatas in the style of a fantasia .
Ludwig van Beethoven wrote 32 mature piano sonatas between 1795 and 1822. (He also wrote 3 juvenile sonatas at the age of 13 [1] and one unfinished sonata, WoO. 51.)Although originally not intended to be a meaningful whole, as a set they comprise one of the most important collections of works in the history of music. [2]
Artur Schnabel, 1906. Austrian pianist Artur Schnabel was the first pianist to record all of Ludwig van Beethoven's 32 piano sonatas. [1] The recordings were made in Abbey Road Studios in London on a C. Bechstein grand piano [2] from 1932 to 1935, [3] [4] [5] seven years after electrical recording was invented. [4]
Title page of Beethoven's symphonies from the Gesamtausgabe. The list of compositions of Ludwig van Beethoven consists of 722 works [1] written over forty-five years, from his earliest work in 1782 (variations for piano on a march by Ernst Christoph Dressler) when he was only eleven years old and still in Bonn, until his last work just before his death in Vienna in 1827.
Ludwig van Beethoven's Piano Sonata No. 3 in C major, Op. 2, No. 3, was written in 1795 and dedicated to Joseph Haydn. It was published simultaneously with his first and second sonatas in 1796 . The sonata is often referred to as one of Beethoven's earliest "grand and virtuosic" piano sonatas. [ 1 ]
In the “Concord” Sonata you can hear snippets of “Columbia, Gem of the Ocean,” “Massa’s in De Cold Ground,” Wagner’s “Lohengrin” and Beethoven’s Fifth Symphony and especially ...
The String Quartet No. 14 in C ♯ minor, Op. 131, was completed by Ludwig van Beethoven in 1826. It is the last-composed of a trio of string quartets , written in the order Opp. 132 , 130 (with the Große Fuge ending), 131.
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