Search results
Results from the WOW.Com Content Network
Mozart's Piano Sonata, K 545 opening. The right hand plays the melody, which is in the top stave. The left hand plays the accompaniment part, which is in the lower stave. In the first bar of the accompaniment part, the pianist plays a C Major chord in the left hand; this chord is arpeggiated (i.e., a chord in which the notes are played one after the other, rather than simultaneousl
The Well-Tempered Accompanist. Bryn Mawr, PA: Theodore Presser, 1949. Cranmer, Philip. The Technique of Accompaniment. London: Dennis Dobson, 1970. Dian Baker. “A Resource Manual for the Collaborative Pianist: Twenty Class Syllabi for Teaching Collaborative Piano Skills and an Annotated Bibliography.” DMA doc., Arizona State University, 2006.
Martin Katz (born November 27, 1945) [1] is an American pianist, educator and conductor, primarily known for his work as an accompanist.. Katz was trained as a collaborative pianist by Gwendolyn Koldofsky at the Thornton School of Music, part of the University of Southern California; where he was a member of the USC's music fraternity Phi Mu Alpha Sinfonia.
She was the recitative accompanist for new productions of Le nozze di Figaro and Don Giovanni, and assisted Maestro Franz Welser-Möst on new productions. Kathleen Kelly has also been associated with the Glimmerglass Festival’s Young American Artist Program, the CoOperative Training Program at Westminster Choir College, the Seattle Opera ...
Made the world premiere recording of the two-piano arrangement of Grieg's Concerto in A minor, written by Grieg and Károly Thern. Also the first recording of Grieg's piano version of the "Homage March" from Sigurd Jorsalfar. [12] They have recorded the piano duet version of Chopin's 2nd Piano Concerto in F minor (arr. Chopin and Carl Mikuli ...
العربية; Aragonés; Беларуская; Български; Català; Čeština; Cymraeg; Dansk; Eesti; Español; Euskara; فارسی; Français; Frysk ...
Now band began in 2006 as a quintet, with Cohen, Baba (beatbox, rap), Panagiotis Andreou (bass), and Mark Guiliana (drums). [1] Lindner commented that "I wasn't playing jazz quartet gigs anymore. I was playing in a place where we could really experiment sonically, using electric bass, the drummer playing more groove-oriented beats and less ...
Eschewing the art-music world, Harnell sought work in pop and jazz, working as a for-hire pianist after returning to New York City in 1950. He played in Lester Lanin's band at this time and found work as an accompanist for singers such as Judy Garland, Maurice Chevalier, and Marlene Dietrich. [4]