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  2. Seventh chord - Wikipedia

    en.wikipedia.org/wiki/Seventh_chord

    The most common chords are tertian, constructed using a sequence of major thirds (spanning 4 semitones) and/or minor thirds (3 semitones). Since there are 3 third intervals in a seventh chord (4 notes) and each can be major or minor, there are 7 possible permutations (the 8th one, consisted of four major thirds, results in a non-seventh augmented chord, since a major third equally divides the ...

  3. List of chords - Wikipedia

    en.wikipedia.org/wiki/List_of_chords

    Suspended chord: M3+d5: Major third, flat five: Just: Just intonation: Bitonal: Bitonal chord: Atonal: Atonal chord: List of musical chords ... Major Dominant seventh ...

  4. Chord notation - Wikipedia

    en.wikipedia.org/wiki/Chord_notation

    This chord progression instructs the performer to play, in sequence, a C major triad, an A minor chord, a D minor chord, and a G dominant seventh chord. In a jazz context, players have the freedom to add sevenths , ninths , and higher extensions to the chord.

  5. Seventh (chord) - Wikipedia

    en.wikipedia.org/wiki/Seventh_(chord)

    Seventh (F), in red, of a G7 dominant seventh chord in C Third inversion G7 chord; the seventh is the bass. In music, the seventh factor of a chord is the note or pitch seven scale degrees above the root or tonal center. [1] When the seventh is the bass note, or lowest note, of the expressed chord, the chord is in third inversion Play ⓘ.

  6. Half-diminished seventh chord - Wikipedia

    en.wikipedia.org/wiki/Half-diminished_seventh_chord

    The half-diminished seventh chord is frequently used in passages that convey heightened emotion. For example, the "mournful affect" [5] of the sombre opening Chorus of J. S. Bach's St Matthew Passion (1727) features the chord on the seventh beat of its first bar and on the first beat of its third bar:

  7. Diminished seventh chord - Wikipedia

    en.wikipedia.org/wiki/Diminished_seventh_chord

    The remaining third, fifth and seventh of that chord form a diminished triad (whose new root is the third of the former chord), to which a diminished seventh can be added. Thus, in C (major or minor), a dominant seventh chord consisting of G–B–D–F can be replaced by a diminished seventh chord B–D–F–A ♭.

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