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After finally reaching an F, outlining a dominant seventh chord in C major, the real start of the finale Allegro molto e vivace begins in C major with a theme similar (both in rhythm and character) to the 4th movement of Haydn's Symphony No. 88 in G major. Composed again in a solid sonata form, Beethoven uses the scale as the prevailing motivic ...
Title page of Beethoven's symphonies from the Gesamtausgabe. The list of compositions of Ludwig van Beethoven consists of 722 works [1] written over forty-five years, from his earliest work in 1782 (variations for piano on a march by Ernst Christoph Dressler) when he was only eleven years old and still in Bonn, until his last work just before his death in Vienna in 1827.
Symphony No. 1 in C major may refer to: Symphony No. 1 (Balakirev) ... (Beethoven) Symphony No. 1 (Michael Haydn) See also. Symphony in C (Bizet) Symphony in C (Dukas)
The key of C minor was, like most other minor keys, associated with the literary Sturm und Drang movement during the Classical period. But ever since Ludwig van Beethoven's famous Symphony No. 5, Op. 67, of 1808, C minor imparts a symphony in the key a character of heroic struggle.
Symphony/Overture in C major, Op. 14 No. 1, E25 [5] Sinfonia in C major, Op. 17 No. 4, E34 (1783) [ 6 ] Symphony in C major, Six Prussian Symphonies No. 1, E41
Symphony No. 1 (Bruch) in E flat major (Op. 28) by Max Bruch, 1868; Symphony No. 1 (Bruckner) in C minor (WAB 101) by Anton Bruckner, 1865–91; Symphony No. 1 (Carter) by Elliott Carter, 1942; Symphony No. 1 (Chávez) (Sinfonía de Antígona) by Carlos Chávez, 1933; Symphony No. 1 (Clementi) in C major (WoO 32) by Muzio Clementi
Ludwig van Beethoven's Piano Concerto No.1 in C major, Op. 15 Johann Sebastian Bach's Keyboard Concerto No. 5 in F minor, BWV 1056 in 1958 Here on archive.org: You may hear Vladimir Golschmann with the Columbia Symphony Orchestra and Glenn Gould in Johann Sebastian Bach's: Keyboard Concerto No. 2 in E major, BWV 1053
Of the works said to embody the Beethovenian "C minor mood", probably the canonical example is the Fifth Symphony. Beethoven's multi-movement works in C minor tended to have a slow movement in a contrasting major key, nearly always the subdominant of C minor's relative key (E ♭ major): A ♭ major, providing "a comfortingly cool shadow or ...
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