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They included decor, ironwork, [2] furniture, and kitchenware. [3] If a trade catalog included illustrations, the items were commonly engraved or hand-drawn and replicated. Catalogs spread through trade, by travelers or traveling merchants. They contained lists of items from different places, with local catalogs advertising services.
Often considered to be one of the finest furniture pieces of the 19th century and an icon of Victorian furniture. There was not one dominant style of furniture in the Victorian period. Designers rather used and modified many styles taken from various time periods in history like Gothic , Tudor , Elizabethan , English Rococo , Neoclassical and ...
Eastlake's book Hints on Household Taste in Furniture, Upholstery, and Other Details posited that furniture and decor in people's homes should be made by hand or machine workers who took personal pride in their work. Manufacturers in the United States used the drawings and ideas in the book to create mass-produced Eastlake Style or Cottage ...
Kimbel & Cabus display at the 1876 Centennial Exposition. Kimbel & Cabus was a Victorian-era furniture and decorative arts firm based in New York City. The partnership was formed in 1862 between German-born cabinetmaker Anthony Kimbel (c. 1821 –1895) [1] and French-born cabinetmaker Joseph Cabus (1824–1894).
In sophisticated urban environments, walnut was a frequent choice for furniture in the Queen Anne style, [5] superseding the previously dominant oak and leading to the era being called "the age of walnut." [6] However, poplar, cherry, and maple were also used in Queen Anne style furniture. [11]
Thomas Chippendale (June 1718 – 1779) was an English woodworker in London, designing furniture in the mid-Georgian, English Rococo, and Neoclassical styles. In 1754 he published a book of his designs in a trade catalogue titled The Gentleman and Cabinet Maker's Director—the most important collection of furniture designs published in England to that point which created a mass market for ...
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