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The Lowry art gallery in Salford Quays was opened in 2000 at a cost of £106 million; named after him, the 2,000-square-metre (22,000 sq ft) gallery houses 55 of his paintings and 278 drawings – the world's largest collection of his work – with up to 100 on display. [44]
Although Lowry had painted portraits before (cf. the 'Horrible Heads' series from the 1930s), Portrait of Ann was seen as a major departure from Lowry's stock images of industrial scenes and millscapes — not least because Lowry very rarely used women as his subjects. Lowry described the style of the painting as being "modernist", explaining ...
Pages in category "Paintings by L. S. Lowry" The following 6 pages are in this category, out of 6 total. This list may not reflect recent changes. C. Coming from the ...
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The 1930 version of Coming from the Mill, painted some 13 years later, is evidence of a change in Lowry's use of light. Writing in the Manchester Guardian, his former tutor at the Salford School of Art, Bernard D. Taylor, criticised Lowry's paintings for being too dark. Taylor's criticism led Lowry to make greater use of light backgrounds such ...
The historic painting, depicting a throng of people gathered at Burnden Park football stadium, sold for a record-breaking £6.6 million on Wednesday. Lowry masterpiece to remain free for public ...
Paintings by L. S. Lowry (6 P) Pages in category "L. S. Lowry" The following 3 pages are in this category, out of 3 total. This list may not reflect recent changes. ...
In 1954, Leonard Cohen and Henry's Stores Ltd of Market Street commissioned a painting from Lowry, and it seems likely that Lowry used these initial sketches as a reference. In January 1956, Piccadilly Gardens was presented to the City Art Gallery as a gift from Henry's Stores to mark the 80th birthday of the company's co-founder, Mrs Henry Cohen.