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Rudolf Arnheim (July 15, 1904 – June 9, 2007) was a German-born writer, art and film theorist, and perceptual psychologist. He learned Gestalt psychology from studying under Max Wertheimer and Wolfgang Köhler at the University of Berlin and applied it to art.
[29] [30] Gaseous perception is the genesis of all perception-images where there are a multiplicity of images with no centre; with liquid perception multiple centres form and flow from one to another; while solid perception composes a unitary subjective centre to which all other images relate. The perception-image is the condition for all the ...
The philosophy of perception is concerned with the nature of perceptual experience and the status of perceptual data, in particular how they relate to beliefs about, or knowledge of, the world. [1] Any explicit account of perception requires a commitment to one of a variety of ontological or metaphysical views.
According to her findings, perception is not merely a representation of the external world, but is also influenced by thoughts, expectations, and mental images. In the same year, she performed the "Banana Experiment," which demonstrated how perception and visual imagery could be confused; a phenomenon known as the Perky Effect.
This is as near, I take it, as a finite mind can ever come to ‘perceiving everything that is happening everywhere in the universe'. The Doors of Perception, p.6. Huxley makes a total of eight references to 'Mind at Large' in The Doors of Perception. Huxley did not use the term again, or elsewhere, in his published writings.
William T. Powers (August 29, 1926 – May 24, 2013) was a medical physicist and an independent scholar of experimental and theoretical psychology [1] [2] [3] who developed the perceptual control theory (PCT) model of behavior as the control of perception.
The Imaginary: A Phenomenological Psychology of the Imagination (French: L'Imaginaire: Psychologie phénoménologique de l'imagination), also published under the title The Psychology of the Imagination, is a 1940 book by the philosopher Jean-Paul Sartre, in which the author propounds his concept of the imagination and discusses what the existence of imagination shows about the nature of human ...
In Merleau-Ponty's account, whereas art is an attempt to capture an individual's perception, science is anti-individualistic. In the preface to his Phenomenology of Perception, Merleau-Ponty presents a phenomenological objection to positivism: that it can reveal nothing about human subjectivity. All that a scientific text can explain is the ...